The Expanded Field of Mono-Ha is a reappraisal of aspects of Gutai, Neo-Dada, and Mono-Ha practices in Japan during the 1960-70s. The exhibition establishes affinities and historical connections between the movements and reveals the depth and interconnectivity of the Mono-Ha within broader histories of the Japanese post-war avant-garde. Drawing from Rosalind Krauss’ 1979 essay Sculpture in the Expanded Field, the exhibition features three generations of artists: Jiro Yoshihara, Kazuo Shiraga, Toshio Yoshida, Natsuyuki Nakanishi, Jiro Takamatsu, Nobuaki Kojima, Nobuo Sekine, Lee Ufan, Noriyuki Haraguchi, and Koji Enokura.