Fergus McCaffrey’s booth devoted to Austrian Birgit Jürgenssen spans three distinct bodies of work. It includes her overtly feminist photography, her sculptural assemblages that take up similar themes in somewhat more ambiguous arrangements, and her more enigmatic but startling grids of found and original photographs under fabric. Spanning the 1970s to the ’90s and all those materials, the work nevertheless feels unified and begs for a more comprehensive institutional survey.