Sigmar Polke

March 23, 2015

Sigmar Polke at Fergus McCaffrey, St. Barth

St. Barth Weekly

This is the gallery’s fourth exhibition of the late artist’s work, following Sigmar Polke / Andy Warhol: Drawings 1962–65 (2006), Sigmar Polke (2011), and Sigmar Polke: Photocopierarbeiten (2014). Download
November 24, 2014

Sigmar Polke: Photocopierarbeiten @Fergus McCaffrey

Collector Daily

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November 24, 2014

Top 10 Photo Events and Happenings in New York: Sigmar Polke

Feature Shoot

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November 19, 2014

Sigmar Polke Can’t Stop, Won’t Stop

Vulture

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November 15, 2014

Review: “Photocopierarbeiten” Sigmar Polke

NYC Art Scene

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October 23, 2014

Blouin Artinfo: Frieze Masters 2014 Highlights

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May 1, 2014

Polke’s Plentitude

Art in America

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April 23, 2014

Sigmar Polke’s Aesthetic Escape Velocity on view at MoMA

The Village Voice

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June 1, 2010

Sigmar Polke – sorry I missed you

The Guardian

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September 5, 2017

Marcia Hafif: Upcoming Museum Shows in Switzerland

Opening at Kunsthaus Baselland: Thursday 14th September, 6:30 PM

The MARCIA HAFIF exhibition is created in collaboration with the Kunstmuseum St. Gallen (MARCIA HAFIF: September 16-January 14, 2018) and the Kunsthaus Baselland in Muttenz (MARCIA HAFIF: September 15–November 12, 2017).
Hafif (b.1929, USA, living in New York and Laguna Beach) is among the pioneers of the 1970s who fundamentally broadened con­ceptions of the practice of painting and under­standing of art per se. Since the 1980s, terms like ‘radical’ have been used to describe Hafif’s work with monochrome painting. The pencil on paper drawings, vertical pencil marks cover­ ing a surface, begun in 1972, led to the ver­tical stroke in paint. Her work in both mediums still continues, fitting within what she calls The Inventory. Each series included in The Inventory develops a single medium using tra­ditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brush­strokes, with which the effects of unmixed colours on a suit­able painting ground are sounded out. Works from the series that may be her most radical will be exhibited at the Kunsthaus Baselland: the Black Paintings (1979/80) in which she found black by layering ultramarine blue and burnt umber. There will also be photographs and films on display.
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August 24, 2017

Contemporary Art Steams Up the Hudson

The New York Times by Nancy Princenthal

The lovely, spacious Fields Sculpture Park at the Omi International Art Center in Ghent holds nearly 80 works, many installed long term, by Dennis Adams, Donald Baechler, Dove Bradshaw, Folkert de Jong, Donald Lipski, Richard Nonas, Alison Saar and others. The park is open daily. Read More