Sigmar Polke

Born in Oels, Germany, in 1941, Sigmar Polke began his artistic career in 1963 by cofounding the Capitalist Realism movement with Gerhard Richter and Konrad Lueg. Capitalist Realism reflected the poverty and aspirations of everyday Germans in the early postwar years and was a gritty and humorous response to the glamour and frivolity of American Pop Art. Developing a homemade aesthetic that used raster dots, found fabrics, ballpoint pens, and household paint, Polke made works of provocative simplicity that upended traditional artistic hierarchies, attacked abstraction, and playfully undermined conceptualism.

In the early 1970s, photography came to dominate Polke’s creative pursuit, the alchemical side of which would prove significant in his paintings in the later 1970s and beyond. Thereafter, his signature style mashed together representation and abstraction, which he further complicated with the introduction of unstable pigments that changed color with temperature and humidity. Images from newspapers and magazines were appropriated, enlarged, and distorted, before being hand-painted onto canvases made up of translucent materials and found fabrics. Polke died in 2010.

Polke is among the world’s most celebrated artists, and his work has been the subject of retrospective exhibitions at numerous institutions, including the San Francisco Museum of Modern Art, 1991; Museum of Contemporary Art, Los Angeles, 1996; Nationalgalerie im Hamburger Bahnhof, Berlin, 1997–98; Museum of Modern Art, New York, 1999; Tate Modern, London, 2003–4; and at the Museum of Modern Art, New York, and Tate Modern, London, in 2014.

Selected Artworks

October 13, 2017

FIAC 2017: Top galleries in “Avenue Winston Churchill, On Site”

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FIAC 2017, the International Art Fair exhibiting the best Contemporary Art galleries of the world, awaits its grand opening on October 19 in Paris. This year FIAC will have two sub-sections, Avenue Winston Churchill and Petit Palais, showcasing outdoor works featuring seminal works by the most prominent galleries all over the world. These two sub-sections fall in FIAC’s new sub division of “On Site” that was introduced last year. Read More
September 5, 2017

Marcia Hafif: Upcoming Museum Shows in Switzerland

Opening at Kunsthaus Baselland: Thursday 14th September, 6:30 PM

The MARCIA HAFIF exhibition is created in collaboration with the Kunstmuseum St. Gallen (MARCIA HAFIF: September 16-January 14, 2018) and the Kunsthaus Baselland in Muttenz (MARCIA HAFIF: September 15–November 12, 2017).
Hafif (b.1929, USA, living in New York and Laguna Beach) is among the pioneers of the 1970s who fundamentally broadened con­ceptions of the practice of painting and under­standing of art per se. Since the 1980s, terms like ‘radical’ have been used to describe Hafif’s work with monochrome painting. The pencil on paper drawings, vertical pencil marks cover­ ing a surface, begun in 1972, led to the ver­tical stroke in paint. Her work in both mediums still continues, fitting within what she calls The Inventory. Each series included in The Inventory develops a single medium using tra­ditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brush­strokes, with which the effects of unmixed colours on a suit­able painting ground are sounded out. Works from the series that may be her most radical will be exhibited at the Kunsthaus Baselland: the Black Paintings (1979/80) in which she found black by layering ultramarine blue and burnt umber. There will also be photographs and films on display.
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