Richard Nonas

Richard Nonas was born in New York in 1936. He studied literature and then social anthropology at the University of Michigan, Lafayette College, Columbia University and the University of North Carolina. Following his education, Nonas worked as an anthropologist for 10 years, doing field-work on American Indians in Northern Ontario, Canada, and in Northern Mexico and Southern Arizona. He turned to sculpture in the mid-1960s at age 30. His anthropological work left a deep imprint that affected his sculptural practice and his engagement with the perception of space. Through a Minimalist vocabulary, Nonas developed a body of sculpture that engaged with the issue of place.

In the 1970s, Nonas was a part of an intrepid group of artists and curators who found alternative places to show. His work involved the alteration of the environment and repeated geometric forms, and he came to see sculpture and space as interdependent carriers of deep philosophical and emotional meanings. Many of his works – made of such materials as timbers, linear beams, granite curbstones, and steel planes – rest directly on the ground and function less as formal aesthetic objects, and more as spatial markers. His forms serve to interrupt the space, calling attention to the non-specificity of the forms on the one hand, while creating a charged sense of space on the other.

Nonas has exhibited extensively throughout the world, making floor-based and wall-mounted works that range in scale and are situated both indoors and out; such as, the permanent installations at the abandoned village, Vière et les Moyennes Montagnes, Digne-les-Bains, France in 2012 and at the Fondazione Ratti, 2003-11. His most recent solo exhibitions include The Man in the Empty Space at MASS MoCA, Massachusetts, 2016, and Richard Nonas: ridge (out, away, back) at the Art Institute in Chicago, 2016-17. He lives and works in New York, NY.

Selected Artworks

October 13, 2017

FIAC 2017: Top galleries in “Avenue Winston Churchill, On Site”

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FIAC 2017, the International Art Fair exhibiting the best Contemporary Art galleries of the world, awaits its grand opening on October 19 in Paris. This year FIAC will have two sub-sections, Avenue Winston Churchill and Petit Palais, showcasing outdoor works featuring seminal works by the most prominent galleries all over the world. These two sub-sections fall in FIAC’s new sub division of “On Site” that was introduced last year. Read More
September 5, 2017

Marcia Hafif: Upcoming Museum Shows in Switzerland

Opening at Kunsthaus Baselland: Thursday 14th September, 6:30 PM

The MARCIA HAFIF exhibition is created in collaboration with the Kunstmuseum St. Gallen (MARCIA HAFIF: September 16-January 14, 2018) and the Kunsthaus Baselland in Muttenz (MARCIA HAFIF: September 15–November 12, 2017).
Hafif (b.1929, USA, living in New York and Laguna Beach) is among the pioneers of the 1970s who fundamentally broadened con­ceptions of the practice of painting and under­standing of art per se. Since the 1980s, terms like ‘radical’ have been used to describe Hafif’s work with monochrome painting. The pencil on paper drawings, vertical pencil marks cover­ ing a surface, begun in 1972, led to the ver­tical stroke in paint. Her work in both mediums still continues, fitting within what she calls The Inventory. Each series included in The Inventory develops a single medium using tra­ditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brush­strokes, with which the effects of unmixed colours on a suit­able painting ground are sounded out. Works from the series that may be her most radical will be exhibited at the Kunsthaus Baselland: the Black Paintings (1979/80) in which she found black by layering ultramarine blue and burnt umber. There will also be photographs and films on display.
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