Noriyuki Haraguchi

Haraguchi was born in Yokosuka, Japan, and he graduated from Nihon University, Tokyo, in 1970, as a student in the oil painting department. He began exhibiting his works while in college and amid the rising political turmoil of campus protests and student riots against the Vietnam War and the Japan-US Security Treaty. Yokosuka is home port of the US Navy’s Seventh Fleet, and Haraguchi’s early paintings and sculptures, such as the Ships series (1963–65), Tsumu 147 (Freight Car) (1966), and Air Pipes series (1968–69), reference the aesthetics and materials of militarism and heavy industry.

Haraguchi created the iconic sculpture A-4E Skyhawk (1968–69) behind the student barricades at Nihon University. It was a full-scale reproduction of the eponymous US Navy fighter jet and was exhibited at the university before riot police retook the campus. Subsequently, Haraguchi’s adopted materials have come to include I beams, pressed-steel car parts, waste oil, polyurethane, and rubber—an aesthetic vocabulary quite distinct from those of contemporaries such as Lee Ufan, Nobuo Sekine, and Kishio Suga, who embraced more natural materials.

Since the early 1960s, Haraguchi’s work has been exhibited extensively in Japan and abroad. In 1977, his spent-oil reflecting pool Matter and Mind was exhibited at Documenta 6 in Kassel, Germany. Retrospective exhibitions have taken place at Städtische Galerie im Lenbachhaus, Munich (2001); BankART, Yokohama (2009); and Yokosuka Museum of Art, 2011. Notable recent group exhibitions include Requiem for the Sun, Blum & Poe, Los Angeles, 2012; and Tokyo 1955–1970: A New Avant-Garde, Museum of Modern Art, New York, 2012.

Photo Credit: Shigeo Anzai

Selected Artworks

October 13, 2017

FIAC 2017: Top galleries in “Avenue Winston Churchill, On Site”

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FIAC 2017, the International Art Fair exhibiting the best Contemporary Art galleries of the world, awaits its grand opening on October 19 in Paris. This year FIAC will have two sub-sections, Avenue Winston Churchill and Petit Palais, showcasing outdoor works featuring seminal works by the most prominent galleries all over the world. These two sub-sections fall in FIAC’s new sub division of “On Site” that was introduced last year. Read More
September 5, 2017

Marcia Hafif: Upcoming Museum Shows in Switzerland

Opening at Kunsthaus Baselland: Thursday 14th September, 6:30 PM

The MARCIA HAFIF exhibition is created in collaboration with the Kunstmuseum St. Gallen (MARCIA HAFIF: September 16-January 14, 2018) and the Kunsthaus Baselland in Muttenz (MARCIA HAFIF: September 15–November 12, 2017).
Hafif (b.1929, USA, living in New York and Laguna Beach) is among the pioneers of the 1970s who fundamentally broadened con­ceptions of the practice of painting and under­standing of art per se. Since the 1980s, terms like ‘radical’ have been used to describe Hafif’s work with monochrome painting. The pencil on paper drawings, vertical pencil marks cover­ ing a surface, begun in 1972, led to the ver­tical stroke in paint. Her work in both mediums still continues, fitting within what she calls The Inventory. Each series included in The Inventory develops a single medium using tra­ditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brush­strokes, with which the effects of unmixed colours on a suit­able painting ground are sounded out. Works from the series that may be her most radical will be exhibited at the Kunsthaus Baselland: the Black Paintings (1979/80) in which she found black by layering ultramarine blue and burnt umber. There will also be photographs and films on display.
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