Noriyuki Haraguchi

Haraguchi was born in Yokosuka, Japan, and he graduated from Nihon University, Tokyo, in 1970, as a student in the oil painting department. He began exhibiting his works while in college and amid the rising political turmoil of campus protests and student riots against the Vietnam War and the Japan-US Security Treaty. Yokosuka is home port of the US Navy’s Seventh Fleet, and Haraguchi’s early paintings and sculptures, such as the Ships series (1963–65), Tsumu 147 (Freight Car) (1966), and Air Pipes series (1968–69), reference the aesthetics and materials of militarism and heavy industry.

Haraguchi created the iconic sculpture A-4E Skyhawk (1968–69) behind the student barricades at Nihon University. It was a full-scale reproduction of the eponymous US Navy fighter jet and was exhibited at the university before riot police retook the campus. Subsequently, Haraguchi’s adopted materials have come to include I beams, pressed-steel car parts, waste oil, polyurethane, and rubber—an aesthetic vocabulary quite distinct from those of contemporaries such as Lee Ufan, Nobuo Sekine, and Kishio Suga, who embraced more natural materials.

Since the early 1960s, Haraguchi’s work has been exhibited extensively in Japan and abroad. In 1977, his spent-oil reflecting pool Matter and Mind was exhibited at Documenta 6 in Kassel, Germany. Retrospective exhibitions have taken place at Städtische Galerie im Lenbachhaus, Munich (2001); BankART, Yokohama (2009); and Yokosuka Museum of Art, 2011. Notable recent group exhibitions include Requiem for the Sun, Blum & Poe, Los Angeles, 2012; and Tokyo 1955–1970: A New Avant-Garde, Museum of Modern Art, New York, 2012.

Photo Credit: Shigeo Anzai

Selected Artworks

March 27, 2017

Art Basel HK Verdict – Encouraging Sales Across The Board For 2017


Art Basel’s fifth edition in Hong Kong has closed with encouraging sales recorded across all levels of the market. This demonstrates a continued demand for high-quality works by the world’s leading international collectors and institutions. Attendance at this year’s show, whose Lead Partner is UBS, rose to nearly 80,000 – due to the introduction of evening ticket sales and improved crowd control measures – and attracted leading members of the international art world. Many observers felt that this edition had built on the show’s strong history to attain new levels – Art Basel in Hong Kong now not only stands as the premier fair in Asia but also as one of the leading fairs worldwide. Read More
March 3, 2017

The 20 Best Booths at The Armory Show

ARTSY EDITORIAL by Alexxa Gotthardt

Fergus McCaffrey’s elegant booth mingles the practices of two American artists who came of age in the 1960s and happen to be great friends. The works of Marcia Hafif and Richard Nonas, however, differ greatly—and that’s precisely what makes this presentation so compelling. Hafif’s hyper-saturated canvases featuring curvaceous forms that resemble bodily contours (she calls these her “Pop-Minimal” paintings) draw you in. Nonas’s more subtle patinaed steel sculptures cover the floor. They resemble architectural forms or ritualized objects; given Nonas’s early years as an anthropologist, they just might be inspired by them, too. Read More