Jiro Takamatsu

Born in 1936 in Tokyo, Takamatsu became one of the most influential artists making art in Japan during the 1960s and 1970s. Working in the fertile ground between Dada, Surrealism, and Minimalism for almost four decades, Takamatsu used photography, sculpture, painting, drawing, and performance to create fundamental investigations into the philosophical and material origins of art.

Takamatsu formed the legendary collective Hi Red Center in 1963 with Genpei Akasegawa and Natsuyuki Nakanishi, participating in actions carried out in Tokyo that sought to eliminate the boundary between art and life. In 1964, he began making Shadow Paintings (which he continued until the end of his life), a critical inquiry into the formal genesis of painting. In 1972–73, he created the seminal series Photograph of Photograph, which raised questions regarding issues of appropriation and memory. Between 1968 and 1972, he taught at Tama Art University, Tokyo, and was a key figure in the development of the Mono-Ha movement. He represented Japan at the 1968 Venice Biennale and exhibited at the 1969 Biennale de Paris, as well as at Documenta 6 in Kassel, West Germany, in 1977.

Takamatsu’s work has been the subject of numerous retrospectives, including posthumously at the National Museum of Art, Osaka, 1999; Chiba City Museum of Art, 2000; Fuchu Art Museum, Tokyo, 2004; and Kitakyushu Municipal Museum of Art, Fukuoka, 2004. He died in 1998.

Selected Artworks

March 27, 2017

Art Basel HK Verdict – Encouraging Sales Across The Board For 2017

Artlyst

Art Basel’s fifth edition in Hong Kong has closed with encouraging sales recorded across all levels of the market. This demonstrates a continued demand for high-quality works by the world’s leading international collectors and institutions. Attendance at this year’s show, whose Lead Partner is UBS, rose to nearly 80,000 – due to the introduction of evening ticket sales and improved crowd control measures – and attracted leading members of the international art world. Many observers felt that this edition had built on the show’s strong history to attain new levels – Art Basel in Hong Kong now not only stands as the premier fair in Asia but also as one of the leading fairs worldwide. Read More
March 3, 2017

The 20 Best Booths at The Armory Show

ARTSY EDITORIAL by Alexxa Gotthardt

Fergus McCaffrey’s elegant booth mingles the practices of two American artists who came of age in the 1960s and happen to be great friends. The works of Marcia Hafif and Richard Nonas, however, differ greatly—and that’s precisely what makes this presentation so compelling. Hafif’s hyper-saturated canvases featuring curvaceous forms that resemble bodily contours (she calls these her “Pop-Minimal” paintings) draw you in. Nonas’s more subtle patinaed steel sculptures cover the floor. They resemble architectural forms or ritualized objects; given Nonas’s early years as an anthropologist, they just might be inspired by them, too. Read More