• Exhibitions

    Sally Ross
    Materials and Procedures

    January 11 - February 24, 2018
    Sally Ross
    Cumulus, 2017
    Oil, gesso, enamel, colored pencil, etching ink and spray paint on canvas, with polyester thread
    84 x 144 inches
    (213.4 x 365.8 cm)
    © The Artist; Courtesy of Fergus McCaffrey
  • Exhibitions

    Kathleen Jacobs

    March 1 - April 14, 2018
    Kathleen Jacobs
    PITAS, 2016
    Oil on linen
    72 x 76 inches
    (182.9 x 193 cm)
    © The Artist; Courtesy of Fergus McCaffrey
  • Art Fairs

    Upcoming: The Art Show

    The Art Show

    February 27 - March 4, 2018
  • Art Fairs

    Upcoming: The European Fine Art Fair: 2018

    The European Fine Art Fair: 2018

    May 4 - May 7, 2018
  • Art Fairs

    Upcoming: Art Basel: 2018

    Art Basel: 2018

    June 15 - June 18, 2018
October 13, 2017

FIAC 2017: Top galleries in “Avenue Winston Churchill, On Site”


FIAC 2017, the International Art Fair exhibiting the best Contemporary Art galleries of the world, awaits its grand opening on October 19 in Paris. This year FIAC will have two sub-sections, Avenue Winston Churchill and Petit Palais, showcasing outdoor works featuring seminal works by the most prominent galleries all over the world. These two sub-sections fall in FIAC’s new sub division of “On Site” that was introduced last year. Read More
September 5, 2017

Marcia Hafif: Upcoming Museum Shows in Switzerland

Opening at Kunsthaus Baselland: Thursday 14th September, 6:30 PM

The MARCIA HAFIF exhibition is created in collaboration with the Kunstmuseum St. Gallen (MARCIA HAFIF: September 16-January 14, 2018) and the Kunsthaus Baselland in Muttenz (MARCIA HAFIF: September 15–November 12, 2017).
Hafif (b.1929, USA, living in New York and Laguna Beach) is among the pioneers of the 1970s who fundamentally broadened con­ceptions of the practice of painting and under­standing of art per se. Since the 1980s, terms like ‘radical’ have been used to describe Hafif’s work with monochrome painting. The pencil on paper drawings, vertical pencil marks cover­ ing a surface, begun in 1972, led to the ver­tical stroke in paint. Her work in both mediums still continues, fitting within what she calls The Inventory. Each series included in The Inventory develops a single medium using tra­ditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brush­strokes, with which the effects of unmixed colours on a suit­able painting ground are sounded out. Works from the series that may be her most radical will be exhibited at the Kunsthaus Baselland: the Black Paintings (1979/80) in which she found black by layering ultramarine blue and burnt umber. There will also be photographs and films on display.
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